As he stood up from a lobby chair to walk back into the house, he said, “I do always love to hear it. I’d rather write another show, and get ‘Cinderella’ here.”īut first, he had “Phantom” to open the next day. It’s an ordeal that could make for a chapter of the awaited sequel to his memoir, “Unmasked,” which follows his life and work only until “Phantom.” “Oh, I’m not writing that,” he said in the interview between rehearsals, adding with a puckish grin: “There’s too much I know. And when “Cinderella” at last debuted in the West End, its opening night was also a milestone for being that musical’s first performance for a full-capacity audience. During that time - and throughout the shutdown - he was one of theater’s fiercest and most outspokenly frustrated advocates.
Again, this is uncommon such attention from a composer is more likely to be given to a new show, such as Lloyd Webber’s latest, “Cinderella,” which opened in London this summer after a series of pandemic delays. Andrew Lloyd Webber - Notes./Prima Donna (test) lyrics at Lyrics.az.
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